About Performance
A bunch of kids have set out to bring a live audience to the urban Fantasia that is the under-side of the Flemington Bridge overpass. However, on the other side of the urban landscape, a bureaucratic plot is being hatched to undermine their efforts. Occupational Health and Safety manuals, insurance premiums and risk management plans are all being launched to destroy the young hopefuls. All seems lost. What are they to do?
The solution is simple: Fight back.
Kids Can Get Lost is a humorous performance about two Occupational Health and Safety Officers who attempt to run an educational course on Safe Family Roadtrips. The staging ground is the vast concrete floodway below the Yellow and Red Sticks of the CityLink Tollway. A place that is reminiscent of MTV Music Videos, Hollywood car chases and disaster movies; the perfect location for:
Crash Testing the Great Australian Holiday.
The solution is simple: Fight back.
Kids Can Get Lost is a humorous performance about two Occupational Health and Safety Officers who attempt to run an educational course on Safe Family Roadtrips. The staging ground is the vast concrete floodway below the Yellow and Red Sticks of the CityLink Tollway. A place that is reminiscent of MTV Music Videos, Hollywood car chases and disaster movies; the perfect location for:
Crash Testing the Great Australian Holiday.
Friday, May 9, 2008
Volunteer positions full
Thankyou to everyone who offered to volunteer on KIDS CAN GET LOST. We have now filled all volunteer positions.
Thursday, May 1, 2008
Rob Stewart
Graduated from the Victorian College of the Arts in 2005, majoring in Sound Design. Film: The Tragedy of Hamlet - Prince of Denmark directed by Oscar Redding; The Sandcastle directed by Robbie McEwen. Theatre: Senseless by Olivia Crang; Spring Awakening directed by Simon Stone; Ashes To Ashes directed by Sam Strong. Installation: Contagion by Gina Czarnecki; ...Or Nothing, Top 100, The Wanderer Meets The Pioneer, Return To Point and Universal Language - Alternate Reality by Arlo Mountford. Rob is also a 35mm and digital projectionist.
Reuben Brown
Reuben Brown is a performer and dramaturg for Spilt Second. In 2007 he assistant directed The Fireraisers with Max Gillies and Susie Dee and performed in Rageboy. Other performances with Union House Theatre include Working (2006) and I Love You, You’re Perfect, Now Change! (2004). Reuben is currently studying a Bachelor of Arts and Music, majoring in voice and history. He has also travelled to Berlin and completed a diploma of German.
Esther Hayes
Esther Marie Hayes was born in Denver , Colorado she now lives and works in Melbourne as freelance costume designer. In 2006, Esther graduated with a Bachelor of Dramatic Art: Production at the Victorian College of the Arts and was awarded the Orloff Family Charitable Trust Scholarship. Since graduating, Esther has worked with Inhouse, Spilt Second, Platform Youth Theatre, The University of Ballarat Arts Academy, The Victorian College of the Arts, Complete Works Theatre Company and Back to Back Theatre.
Shelly Lauman
Graduated from the VCA in 2005. Her stage credits include Macbeth STC, directed by Robert Menzies; Spring Awakening The Hayloft Project, directed by Simon Stone; Othello Retold Eleventh Hour Theatre, directed by Anne Thompson; Homebody/Kabul Theatre@risk, directed by Chris Bendall; Women Beware Women VCA, directed by Lindy Davies; Tag Hamlet VCA, directed by Roy Faudree.
Her film credits include Advantage, directed by Sean Byrne which screened at the 2007 Melbourne International Film Festival and 2008 Sundance Film Festival, soon to be seen at the 2008 St Kilda Film Festival.
Her film credits include Advantage, directed by Sean Byrne which screened at the 2007 Melbourne International Film Festival and 2008 Sundance Film Festival, soon to be seen at the 2008 St Kilda Film Festival.
Ellen Steele
Ellen Steele graduated from Flinders Drama Centre in Adelaide in 2006. Since graduating she has been involved in diverse creative projects from working on the development of Windmill Performing Arts production of Cat, to playing the Invisible Woman in a Fantastic Four stage show which toured Singapore. Highlights have included being a finalist in the Adelaide Critics’ Circle Award for ‘Best Emerging Artist’ for her role as ‘Annie’ in Vitalstatistix’s production of Love. Ellen has recently finished filming the short feature Daniel, and is very excited to be working amongst the cheesesticks in her first Melbourne production.
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